Shifting the perception of audiences, he pushed the possibilities of what art could be in new, exciting and frequently unexpected directions, taking the European art world by storm. A classic piece of Klein trickery, the image was a photomontage, described later by Shunk as a ‘confection’. Cindy Sherman’s Untitled Film Stills comprises of over seventy black and white photographs made between 1977 and 1980.
However, a jump from a rooftop would injure even the most trained judoka. Frame: 43.2 x 35.6 cm (17 x 14 in.) Yves Klein (French pronunciation: [iv klɛ̃]; 28 April 1928 – 6 June 1962) was a French artist and an important figure in post-war European art. A leap into the void can involve danger but a timely leap can also lead us out of danger. Or being vulnerable, like telling someone you love them. Klein is one of the most radical figures in post-war western art. Although he worked in other colours, a distinctive, rich ultramarine had by this time become his signature colour, which he would register as a trademark under the name International Klein Blue (IKB).
In 1960, French avant-garde artist Yves Klein created a photo montage of himself leaping from a wall over a quiet Paris street.
The photograph captures both the…
In this blog I am going to be writing about this search. This work involved the sale of documentation of ownership of empty space (the Immaterial Zone), taking the form of a check, in exchange for gold. For “Le Vide” (The Void) Klein emptied an entire exhibition space, painted it white and then persuaded the French government to send Republican Guards to stand outside as sentries at the end of a hallway painted ultramarine, covered with blue curtains to ensure there would be no way of anticipating the gallery's contents.
Klein used the photograph with the cyclist on the first page of his publication “Dimanche - Le Journal d'un Seul Jour” (Sunday - The Newspaper for Only One Day), which was sold in newsstands throughout Paris on Sunday, November 27th 1960. Less people know that this photomontage was made in October 1960, when Klein jumped from the rooftop of his art dealer’s house at Rue Gentil-Bernard in Fontenay-aux-Roses, Paris. Klein asked photographers Harry Shunk and Jean Kender to make a series of pictures documenting his jump. In 1960, Klein took an astonishing leap from the ledge of a building in a quiet Paris suburb.
Or kicking a bad habit or addiction.
JavaScript seems to be disabled in your browser. Almost everybody knows the iconic image of French artist Yves Klein suspended in mid-air, during his famous “Le Saut dans le Vide” (the Leap into the Void).Less people know that this photomontage was made in October 1960, when Klein jumped from the rooftop of his art dealer’s house at Rue Gentil-Bernard in Fontenay-aux-Roses, Paris. We use cookies to ensure you get the best experience on our website. Our own leaps might involve making a big career change, starting a creative endeavor, attending to the care of a dying friend or family member, going on a religious pilgrimage, leaving a marriage or getting married, having children, or packing a bag and getting a one-way ticket to a place you’ve never been before. There are two different versions of the photograph: one with a cyclist driving away in the background and another one, slightly darker, where the street is completely empty. Find more prominent pieces of photo at Wikiart.org – best visual art database. “The monk jumps, and finds himself on his feet, walking along the road that leads to his own home.”. Reacting against the existential introspection found in abstract art movements in the period immediately following the Second World War, his innovative outlook led him to erase divisions between life and art. Almost everybody knows the iconic image of French artist Yves Klein suspended in mid-air, during his famous “Le Saut dans le Vide” (the Leap into the Void).
Although Klein had painted monochromes as early as 1949, and held the first private exhibition of this work in 1950, his first public showing was the publication of the artist's book Yves Peintures in November 1954. After 1958 IKB became his colour of choice across monochromes, sponge sculptures and even people. "–Alfred Korzbybski.
Indeed, before he established himself as an artist, he took up the martial art (in 1947), and later trained at the prestigious Japanese Judo Kodokan institute in Tokyo, attaining a fourth dan ranking. Klein was a pivotal figure who operated during a critical period in cultural history.
The models, or ‘living paint brushes’, transferred (as Klein saw it) a material imprint of life directly onto paper, while musicians played his Monotone Symphony – a single note played for twenty minutes, followed by twenty minutes of silence, mirroring the effects of his monochrome paintings in music. ), A lot of his fascination for dematerialization could be traced back to one summer day on the beach in Nice. Klein can be considered as one of the first artist to develop conceptual strategies. Klein, in a suit, his face determined and seemingly fearless – emotionless in fact – launches himself into space.
Klein’s interests and influences were broad and his approach to art encompassed painting, sculpture, performance, theatre, music, film, architecture, esoteric spirituality and judo. As the title evidently describes, the image shows ... Modern classics: Yves Klein - Leap into the Void, 1960.
Not an artlead member yet? Transfer of a Zone of immaterial pictorial sensibility to Dino Buzzati, Paris, January 26th, 1962. His legacy remains undiminished, and director and senior curator at Gagosian London, Richard Calvocoressi, has said.
Yves Peintures anticipated his first two shows of oil paintings, at the Club des Solitaires, Paris, October 1955 and Yves: Proposition monochrom… Captured by the photographer duo Harry Shunk and János Kender, the artist’s Leap into the Void makes for a breath-taking image. Yves Klein had been practicing judo his whole life and considered it to be part of his artistic path. But how and why did Yves Klein jump from a rooftop?
Create a free website or blog at WordPress.com. In the original photographs, we see seven people holding a tarpaulin for Klein to land in. Maker: Photographed by János (Jean) Kender (Hungarian, Pécs 1937–2009) Date: 1960 Medium: Gelatin silver print Dimensions: Image: 25.9 x 20 cm (10 3/16 x 7 7/8 in.) Probably nobody knows that a church, the Chapelle de Sainte Rita – advocate of desperate cases – for whom Klein made an ex-voto during his life, now replaces the house where the picture was shot. one of the most famous performance photographs. In each our own journey toward self-discovery, we can sometimes find ourselves leaping into the void, the great terra incognita—the unknown land—of the soul. (© Yves Klein, ADAGP, Paris.
In 1960, French avant-garde artist Yves Klein created a photo montage of himself leaping from a wall over a quiet Paris street.
I will also offer tips on how you, too, can make your own leap, and reflect on the highs and lows that come as a result of taking such a risk. ... János Kender Leap into the Void 1960 Yves Klein, Harry Shunk, János Kender Leap into the Void 1960 Yves Klein, János Kender, Harry Shunk Leap into the Void …
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