1 by Super Furry Animals released in 2004 via E… Experimental Rock albums, ratings, reviews and more.
Pop/Rock » Art-Rock/Experimental » Experimental Rock As the name suggests, Experimental Rock is music pushing the envelope of the form, far removed from the classic pop sensibilities of before. A few years passed with little in the way of band activity, before finally Embryonic came out of nowhere in 2009 to be the group’s most daring album in over a decade. "Experimental Rock is a term applied to music which, while essentially falling under the category of rock music, abandons generic trappings of the genre and experiments with rhythm, dissonance, instrumentation, noise, electronics, studio manipulation and … “You’ve got to look into the light light light light light light light light light light light LIGHT LIGHT LIGHT…” With those words begins (and continues, and continues some more) “Sheets of Easter”, the noise-rock behemoth that opens disc one of Oneida’s mind-bending double album Each One Teach One. As the name suggests, Experimental Rock is music pushing the envelope of the form, far removed from the classic pop sensibilities of before. 2004.
Create a free website or blog at WordPress.com. When you’re finally reduced to a drooling vegetable, you shamble your way to the stereo and throw in disc two, and along comes “Each One Teach One”, countering the extended cerebral-assault of the first disc with a short and sharp sonic barrage that tosses you about like a freaking rag doll. I lay in a wide spot made to put aside dead, so the live can pass through”) to a striking commentary on wartime photographers (“If a bullet hit me they’d get a shot worth so much more than my life that I’m not even sure who to hate: the sniper or the monkey with a Nikon”).
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After playing it disappointingly safe with the sub-par, Yoshimi-retread of 2005’s At War With the Mystics, a lot of people had written The Flaming Lips off, placing them firmly in the “past their prime” basket. It’s truly awe-inspiring to listen to a group with this powerful a grasp on pop songwriting combined with such an overwhelming desire to be willfully unusual and keep on pushing the envelope over and over, and that’s exactly what’s presented on The Runners Four. Oneida – Each One Teach One The opening moments are just glorious, as “Hello Morning” provides a brief, comparatively low-key introduction of squally, distorted improvisation before the incredible “Assassins” leaps out of nowhere, pins you to the wall – and subsequently blasts you through it – with sheets of pure, unadulterated rawk. 2003. 2000s experimental rock album stubs (80 P) Pages in category "Experimental rock albums" The following 8 pages are in this category, out of 8 total. noise-rock, experimental-rock, psych-rock The songs are touching, attention-grabbing and memorable, and are sequenced in a manner that places the highlights – such as “Odd Said the Doe” and “Our Discussion” – evenly throughout the album. noise-rock, experimental-rock One of the more overtly unusual albums to fall under the very expansive umbrella known as “indie-rock”, The Golden River is a trip quite unlike any other. Evan Patterson leaves Americana traditions in the dust in favor of shadowy, surreal electronic collages. If you manage all this, then you’re all set to experience and enjoy one of the genre’s most truly unique groups. And so it goes, until half an hour later “No Label” brings the whole thing to a close and your body is finally released from Oneida’s vice-like grip, assuming it hasn’t turned to dust in the interim. Typically, experimental rock is the diametric opposite of standard "verse-chorus-verse" music. You can colour me very surprised – I just didn’t think they were still capable of making something this original and flat-out great. It’s suitable to see White take half the artistic credit on this one – the first time he’s been credited as such after a number of stints as a session musician for Nastasia’s previous albums – as the skills of both participants are highlighted with equal measure throughout the album, making White’s skittering, semi-improvisational drumming just as prominent and central to the album as Nastasia’s vocals and guitarwork. 2007. (The Mothers of Invention, 1966), The United States of America: The United States of America (1968), Tortoise - Millions Now Living Will Never Die. I love the kind of densely layered albums that reward repeat listening and perseverance with exciting new discoveries and previously unnoticed subtleties, albums that just seem to go deeper and deeper the further you dig. 2007. Wonderful Rainbow is pure, manic energy, distilled to its simplest and most stripped-back musical form, as the duo latch onto your brain with infectious guitar lines, firestorm percussion and vocals so twisted and incomprehensible that they sound downright devilish, and then don’t let go until they decide you’ve had enough. Angel Deradoorian's most collaborative solo work to date, as well as her most spiritually reflective. All three members of Deerhoof play a truly vital role in this album’s success – Satomi Matsuzaki’s feather-light vocals are always full of glorious attitude and humour, while her bass gives many of the group’s songs their strong, underlying foundation; John Dieterich’s complex, rapid-fire guitar always make for tunes that are full of fascinatingly idiosyncratic melodies and interludes; and Greg Saunier’s totally unconventional, stripped-back drumming (the man has a kit containing nothing but a kick, a snare and a crash) sees him not merely setting a standard beat, but somehow drumming around that beat to create an exciting style that’s seemingly improvisational and yet so sturdy and reliable (there’s a reason why he’s my favourite drummer in rock music today). experimental-rock, indie-pop The Black Dice member switches gears dramatically with an album of concise pop tunes, but still can't escape his own inherent weirdness. 2003. There’s an almost shamanistic quality to Behold Secret Kingdom, the 2007 release by psychedelic freak-rockers Racoo-oo-oon. Matt and Eleanor Freidberger inject their songs with such a degree of creativity and relentless boundary-pushing that uniquely fascinating and surprising moments seem to be hiding around every corner – “Quay Cur” features nursery-rhyme tales punctured by stabs of short-burst garage-rock; “My Dog Was Lost But Now He’s Found”, in addition to playing out as an extended pun itself, features a lyrical gag followed by an almost too-subtle “boom boom” in the background; the massive guitar solo hiding one minute into “Mason City” feels like lost treasure; the chaotic introduction to “Wolf Notes” sounds like it’s raining musical instruments; “Straight Street” features the same melody throughout, but on every verse the instrumentation being used it subtly altered from the one before it; the narrative song “Chief Inspector Blancheflower” has enough content that an entire movie could be made of it; “Birdie Brain’s” warbling, wah-wah melody is one of the most creative riffs you’ll ever hear; and the title track’s tale of pirates invading a boat to steal its precious blue cargo, only to be confronted by a resilient captain Eleanor, is way better than any children’s story, and it’s catchy too.
Tim Buckley Starsailor (1970) Genres: Avant-Folk, Experimental Rock, Singer/Songwriter: Genres: Avant-Folk, Experimental Rock, Singer/Songwriter: 4: 4. indie-rock, experimental-rock, psych-rock It’s the type of sound that free-folk and New Weird America groups like Sunburned Hand of the Man and Jackie-O Motherfucker would produce if you were to push their free-flowing musical aesthetics to their logical extremes. Lightning Bolt – Wonderful Rainbow singer/songwriter, experimental-rock, folk
The insular sound, the cosmic production, the jarringly vibrant instrumentation, the labyrinthine sequencing and the double-album format – all of these things constituted pretty bold steps at a time when everyone was expecting Wayne Coyne and Co. to once again maintain the status quo and make another album that fell into the (now thoroughly tapped) “life affirming” niche of their previous 2 or 3 releases.
experimental-rock, free-folk experimental-rock, progressive-pop Blending together a combination of druggy basslines, guitars that bounce from melodic lines to seeming random clashes (there’s definitely some early Sonic Youth influences in there), nonsensically chanted vocals, krautrock rhythms and hazy, primitive production, and then channeling it all through a lost-in-the-woods-at-night-but-quite-happy-to-be-there kind of vibe, the group manage to achieve a sound that feels ritualistic and quite Earthy. With its brief runtime and unassuming tone, You Follow Me is an understated and humble affair, certainly not the sort of thing that self-consciously brands itself as an important album, yet I cannot overstate the impact which it has had upon me, as it leaves me keenly feeling its lasting presence long after it winds to a close. Importantly, there are a number of more accessible, relatively straightforward cuts to offset all this mayhem, with tunes like “Duplexes of the Dead” (which features some great wah-wah), “Ex-Guru”, “Right By Conquest” and “Pricked in the Heart” keeping proceedings from getting too out of hand. Many of these – I’ll single out “Twin Killers”, “Vivid Cheek Love Song”, “Wrong Time Capsule”, “Spirit Ditties of No Tone”, “Scream Team”, “Siriustar” and “Rrrrrrright” – rank on the highest echelon of their body of work. The first installment of a trilogy of timely albums conceived around the themes of "imbalance, disruption, collision, and redefinition.". Throughout the first disc, Oneida simply pummel you into submission, gleefully destroying your reality and replacing it with a wallpaper of looping soundbites that eventually becomes all you know. ), demanding multiple plays just to absorb what’s resting on the surface. Gorgeous melodies and songs drawn from childhood memories make this album equally magical and down to earth.
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