Michel Poiccard:
97 minuten, geregisseerd door Jim McBride
The two carry on in a playful, back-and-forth banter for the remainder of the film often to the amusement (and sometimes frustration) of the audience. The Psychic: The theme from this 1977 Lucio Fulci horror film, “Seven Notes in Black,” appears in Kill Bill.
and the Bear: Dov (Eli Roth) references this short-lived action sitcom while drawing attention to Stuntman Mike (Kurt Russell) early in the film. Bishop, Elvin, “She Puts Me in the Mood”: Song that plays while Ordell Robbie (Samuel L. Jackson) is on the phone with Louis Gara (Robert De Niro) in the film’s final third. City On Fire: This one’s a tricky one, since Tarantino publicly dismissed claims made by movie mag Film Threat in the early ‘90s that Reservoir Dogs borrowed heavily — almost to the point of plagiarism — from Chinese director Ringo Lam’s 1987 actioner. Kage no Gundan: Translated to Shadow Warriors in Japanese, this 1980s TV show, which Tarantino watched during its original airing, featured a character named O-Ren, which inspired the name of O-Ren Ishii (Lucy Liu). Lady Snowblood: 1973 Japanese revenge film that Tarantino has cited as influence on Kill Bill; the closing theme from the film, “The Flower of Carnage,” appears in the film as well. Man Hunt: 1941 Fritz Lang film that Tarantino’s cited as one of his “Hollywood propaganda movie” influences in making Inglourious Basterds.
Kojak: Dr. King Schultz’s opulent coat was inspired by Telly Savalas’s getup from this 1970s cop TV show. Bela B.: The drummer of German band Die Ärzte has a cameo in the film as a cinema usher. Presley, Elvis, “Heartbreak Hotel”: Presley’s 1956 single that Val Kilmer, dressed as an Elvis impersonator, sings a cappella to Clarence. They spend the day together, oscillating between flights of romantic fancy and laying low while Michel keeps trying to track down a man who owes him money. The Shooting: One of two films from director Monte Hellman (who was also a producer for Reservoir Dogs) that Tarantino described in a 1992 interview with Positif as “[one of the] most authentic Westerns.”, Speed: Tarantino cited the 1994 Jan de Bont actioner as “a totally fun movie” in an interview from that year: “Situation filmmaking at its best, because they really went with it.”, Towne, Robert: Tarantino referred to this screenwriter in a 1993 interview as “[deserving of] every little bit of the reputation he has.”, When the Lights Go Down: Tarantino read New Yorker film critic Pauline Kael’s 1980 book at 16 and, according to a 1992 interview with Positif, “[I] thought, ‘Someday maybe I’ll be able to understand a movie like she does.’”, Witney, William: In an interview with Henry Louis Gates, Tarantino referred to this late film-and-TV director as “one of my Western heroes.”, Ali, Muhammad: One of the legendary boxer’s many famous quotes (“If you even dream of beating me, you better wake up and apologize”) is paraphrased by Mr. White (Harvey Keitel) in the opening moments of the film: “You shoot me in a dream, you better wake up and apologize.”. Create a free website or blog at WordPress.com. Their logo appears with great fanfare before the beginning of Vol. Beat the Clock: 1950s TV game-show referenced as Chester Rush (played by Tarantino himself) lightly chides in conversation with the film’s bellboy, Ted (Tim Roth). The Good, the Bad and the Ugly: One of a few films Clarence rattles off as canon to Donowitz. Modesty Blaise: The 1965 spy novel from British writer Peter O’Donnell, which Vincent is seen holding several times during the film. During street shots, countless passersby keep on staring into the camera, revealing the shots to be made without appropriate filming barriers and not using extras for pedestrians.
The Coasters, “Down in Mexico”: Leiber & Stoller–written 1956 single that plays during Butterfly’s lap-dance scene. : In a 1994 interview, Tarantino cited the reclusive author’s Glass family stories as influential to the film: “They’re all building up to one story, characters floating in and out.”. 2. The Coasters: Doo-wop group, and one of the artists that Rufus claims he used to play for in Vol. Seeing his reckless driving, a Patrolman gives chase and the fleeing Lujack runs off the road and becomes stuck. Jackson, Jermaine, “My Touch of Madness”: 1976 single playing when Max and Jackie get a drink at a bar. This week, we’ll be watching his 1974 hit “Young Frankenstein” staring the late Gene Wilder. ( Log Out / For some reason I don’t in Le Doulos.”, Leone, Sergio: “I never felt gypped when Sergio Leone ended every Western he did with a showdown,” Tarantino told Roger Ebert in a 1994 interview about the massively influential spaghetti Western director, after being asked about how Reservoir Dogs, Pulp Fiction, and True Romance all essentially conclude with gun-brandishing face-offs.
Both directors are driven by an unquenchable love for cinema. 2. 0 missl. Vanishing Point: Real-life stuntwoman Zoe Bell (playing herself, natch) and her friends commandeer a 1970 Dodge Challenger similar to the one driven in the 1971 existential stoner-action cult classic Vanishing Point. Zardoz: Sean Connery’s character from John Boorman’s 1974 gonzo sci-fi blowout shares a name with Zed, the pawnshop security guard in the film’s “gimp” sequence.
Quentin Tarantino is undoubtedly one of the (if not the) most influential American film directors of the last quarter-century. Zo slecht is deze film niet, ik kan me het wel voorstellen dat men deze film maar met moeite kan.. inmiddels een cultklassiekertje voor de liefhebber.. het uiterlijk van die mevrouw is zo bijzonder dat haar acteertalent niet meer opvalt. geniaal geacteerd door gere.
Slash’s Snakepit, “Jizz da Pitt”: This unbelievably obscure cut from former Guns N’ Roses guitarist Slash’s other band soundtracks the “Chicks Who Love Guns” video that Louis and Ordell are watching in the beginning of the film.
Fun fact: The original title of the song was “Little Greenback,” which is for sure relative to the interests of Reservoir Dogs’ protagonists. It’s what keeps us watching despite their apparent immorality. Amos ’n’ Andy: A long-running radio and TV show originating in the 1920s, featuring two black characters voiced by white actors. 1. This is a day in Michel’s life; he happens to spend it with Patricia.
Maverick film-maker Tarantino took the name Band A Parte (Band Of Outsiders) from the New Wave icon’s 1964 movie and used it as the name for his production company. The Best 1960s International Feature Film, The Best French Movies of the 20th Century, Obscure, Surreal and Head-Scratching Movie Quotes, Sexiest Male Movie Characters(1920s-1970s), View production, box office, & company info, "It's silly, but I love you. Road to Salina: Music from the score to this 1970 thriller is included in the first third of Vol. Pink) endeavor to find out who botched the heist. 4. Silver, Joel: Tarantino has compared selected works from this action-blockbuster producer to the opening minutes of Pulp Fiction’s final third. Though it also winks to Old Hollywood, Alphaville does so with Godard’s radical signature touch. Indie filmmakers of all stripes have surely benefited from the increased exposure that his quick ascension gave to subterranean cinema. Fuller, Samuel: Legendary pulp filmmaker whose influence inarguably looms over Tarantino’s entire career. LaRue, Lash: Western actor from the 1940s/’50s referenced in conversation between Winston and Vincent. Shadow Warriors: Tarantino referred to this 1980s Japanese cartoon as “the best cartoon I’ve seen on the screen” in a 1994 interview. Look no further than “Who Do You Think You’re Fooling” (above), a 1995 short made by writer/filmmaker Mike White examining shot-by-shot comparisons between the two films. Davie Allan & the Arrows, “The Devil’s Rumble”: ’60s surf-rock cut that plays during the final third of the film. Raoul Coutard, Godard’s right hand, captures Paris at the end of the ‘50s in the most beautiful black and white. They’re all great yet completely different. Which is basically like becoming the new Spider-Man, but for portraying sad marriages. It’s fresh, edgy, and fun- especially in it’s time context.
Eddie Van Halen Once Asked Ozzy Osbourne to Join the Band, “I think he was a bit drunk. Voor de kleine crimineel Richard Gere is het leven een groot feest zonder regels.
Wel een fantastische finale.
When the police start following her right before Lujack comes back to pick her up, she finally accepts his offer to flee to Mexico together. Day of Anger: Riz Ortolani’s main theme to this 1967 spaghetti Western zips right by the audience as Beatrix plucks the eye out of an unfortunate Crazy 88s member in Vol. It caught quite a lot of wind after its release because it portrayed minors talking about sex. Havens, Richie, “Freedom”: Song that plays when Django gives up after the initial firefight in the film’s final third. The Deer Hunter: Right before the final shoot-out, Clarence compares film-producer-cum-drug-pusher Lee Donowitz’s (Saul Rubinek) Coming Home in a Body Bag to this 1978 dramatic epic by Michael Cimino. I don’t want to spoil it, but it’s absurdism at its finest. Willeford, Charles: In conversation with Manohla Dargis in 1994, Tarantino described a kinship between Pulp Fiction and the work of this hard-boiled American writer. ), Death Rides a Horse: “The bandits who killed five defenseless people made one big mistake.
2. From his foreshadowing of the May ’68 downfall to the crime story that inspired Tarantino, five Godard films all fans should see. Star Trek: One of a few cultural references that Clarence says that Alabama claimed to like when they first met.
Cops: Moments before Vincent’s gun “accident” in the car, Vincent and Jules have a brief conversation about this long-running reality show. It’s the Great American Novel done as a comedy routine.”, Ride in the Whirlwind: One of two films from director Monte Hellman (who was also a producer for Reservoir Dogs) that Tarantino described in a 1992 interview with Positif as “[one of the] most authentic Westerns.”. “I don’t think Buddy’s that much of a waiter.”. ‘The Pursuit Of Love’: Producers Plan Three Seasons Of BBC/Amazon’s Sofia Coppola-Inspired Period Romp — Mipcom, 16 December 2019 90 min
feature films! The police corner him in the road where Lujack sings "Breathless" to Monica while dancing around the gun at his feet. Female Convict Scorpion: The Meiko Kaji–sung theme to this 1970s revenge film series (the first of which also stars Kaji) plays over the closing credits of both films. The Thing: Tarantino has noted the similarities between Reservoir Dogs and John Carpenter’s 1982 masterpiece: “[I]t’s exactly the same story as my movie. Sabotage: A clip from this 1936 Alfred Hitchcock film is shown to explain the flammability of nitrate film. It has ample amounts of attitude and style.
Cage, Nicolas: One of Tarantino’s favorite actors of his generation: “I don’t think I’ve seen another actor in the history of film that made a career of being miscast and rising to the occasion,” he told The Village Voice’s J. Hoberman in 1996. Breathless: Criterion Channel The Green Hornet: The theme song to this short-lived 1960s crimefighter TV series, performed by late trumpeter Al Hirt, plays during Vol. Zijn tattoo van een bloedend hart, haar roze jurkje, het lichtgevende kermiskettinkje dat voor hun liefde staat, op de achtergrond de muurschilderingen in Los Angeles. Closing!” Chester shouts near the segment’s end, quoting the classic David Mamet play/film. After all those years, I still don’t think I fully understand his work. This time, the singer-songwriter’s challenge to listen comes as a gift. Motorcycle Gang: One of a few 1950s movies featured in poster form on the walls of Jack Rabbit Slim’s. From then until today, in a career now spanning more than 50 years, his cinema of anarchy reigned, relentlessly challenging even his most hardcore fans.
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