In 2016, Reichardt wrote and directed the Montana-set drama Certain Women, and in 2019 directed First Cow, again set in Oregon. I find Satyajit Ray’s filmmaking so lyrical and there’s a real economy to the way he shoots the film. All the hay, the thatch roofs, the wooden floors, all those things – the chores, the chores, the chores. The acclaimed director has been producing quietly devastating portraits of life on the economic margins of American society for the past 25 years; her films move quietly, slowly, centering on economic anxieties and reveling in the vistas of the American wild, whether on the frontier or in the country’s densest woods.
River of Grass. [9] The film won awards from the Los Angeles Film Critics Association, Rotterdam International Film Festival, and Sarasota Film Festival. She is known for her minimalist-style films, many of which deal with working class characters in small, rural communities.
It would just make them feel lopsided, because they’re all so short, they cover so little time. Reichardt then had trouble making another feature film, saying "I had 10 years from the mid-1990s when I couldn’t get a movie made. She rejects mainstream methods by using small budgets, filming on location (the majority of her films are shot in Oregon), and refusing to romanticise the main characters and their struggles. I return to the Apu Trilogy constantly. Michelle Williams, Laura Dern, and Kristen Stewart are starring. Ahead of the movie’s release, Reichardt spoke with Rotten Tomatoes about five films that were on her mind as she made First Cow, and which she feels are a piece with the new film’s look and feel, its characters, and its message. [13] Sony Pictures Worldwide Acquisitions (SPWA) bought the rights to distribution. Well it was Jonathan Raymond’s novel, The Half Life, which has kind of been hovering around us, he and I, for a couple of decades, and we’ve been trying to think of how we could ever sort of get our arms around it, because the novel spans 40 years and there’s a ship ride to China and it’s this very big [story]. Kelly Reichardt. The Unbelievable Truth. Wendy and Lucy also reflects the economic hardships that affected millions of Americans (particularly women, whom the film suggests are affected more than men) as a result of the high costs and collateral damage from the war.
It was nominated for Best Film and Best Female Lead at the Independent Spirit Awards. Kelly Reichardt (/ˈraɪkɑːrt/; born March 3, 1964)[1] is an American screenwriter and film director. [20] Reichardt elaborates on this, saying "Maybe I’m suspicious of absolutes. [7], Furthermore, critics have noted that her films frequently have ambiguous endings that leave the audience hanging and unsatisfied. I mean, yes, there is something satisfying about watching an old film when the music rises up and the words come at you – The End. They leave us dangling, forced to write their third acts in our heads”. And they’re all craftspeople in Ugetsu, and in First Cow Cookie is a cook and they’re constantly making things, and King Lu is sewing his slippers – it’s a life of just endless making of things because it’s how you’re surviving. Copyright © 2018 Fandango. [14] The film premiered January 24, 2016 at the Sundance Film Festival. Night Moves Meek's Cutoff. In Old Joy, which stars two men and was spoken about in festivals as an LGBT film,[25] the theme of male friendship is highlighted and addressed through the feminised qualities of sensitivity and vulnerability that are rarely seen in mainstream Hollywood cinema. There were some thematic things, but again, it’s people in their little houses working all day – always sewing, fixing things, feeding the animals – and then around the candlelight at night telling stories and cooking in their fires and everything is very tactile. Copyright © 2018 Fandango. All of which seemed relevant to the moment"[7] (in reference to the Iraq War and George Bush). In 2006, she completed Old Joy, based on a short story in Jon Raymond's collection Livability. We had this really economical way of shooting; people moving in the frame and we pan one way or the other. I admire those things about her work so much.
[26], "Kelly Reichardt Is One of the Best Filmmakers in America, and We Don't Appreciate Her Enough — NYFF", "Kelly Reichardt • Great Director profile • Senses of Cinema", "Meek's Cutoff and Post Mortem shine at Venice film festival", "Kristen Stewart Joins Kelly Reichardt's Montana Drama", "Kelly Reichardt's New Film Lands At Sony Pictures Worldwide Acquisitions", "60th BFI London Film Festival announces 2016 awards winners", "With rugged feminist piece 'Certain Women,' Kelly Reichardt shows why she's the last indie purist (for now)", "Kelly Reichardt Sets 'Certain Women' Follow-Up with 'First Cow, "Kelly Reichardt: 'My films are just glimpses of people passing through, "Director Kelly Reichardt explores idealism in Night Moves", "The Quiet Menace of Kelly Reichardt's Feminist Westerns", "A completely false security: an interview with Kelly Reichardt", "An interview with Kelly Reichardt, director of Old Joy", "Kelly Reichardt: Emergency and the Everyday", https://en.wikipedia.org/w/index.php?title=Kelly_Reichardt&oldid=981696300, Pages containing links to subscription-only content, Articles with dead external links from August 2010, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, Los Angeles Film Critics Association Awards, Independent/Experimental Film and Video Award, Gotham Independent Film Award (Best Feature), This page was last edited on 3 October 2020, at 22:05. We spent a week with them and then on they went". She made her feature film debut with River of Grass (1994), and subsequently directed a series of films set and filmed in Oregon: the dramas Old Joy (2006) and Wendy and Lucy (2008); the Western Meek's Cutoff (2010); and the thriller Night Moves (2013). I mean the thing with Ugetsu, and the whole Apu Trilogy [discussed next], that I was really looking at when I was making First Cow, was that they are super low-to-the-ground films.
Kelly Reichardt doesn't have any movies playing in theaters. We took all of the movies directed by Kelly Reichardt and looked at their Rotten Tomato Critic, Rotten Tomato User, Metacritic, Metacritic User, IMDB, and Letterboxd scores, ranking them against one another to see which movies came out on top. Kelly Reichardt, Director: Wendy and Lucy. My Favorite American/Latin-American/Canadian Directors, 25 Best Film Directors of the 21st Century According to Metacritic, Cérémonie de clôture du 72ème Festival de Cannes 2019, Cérémonie d'ouverture du 72ème Festival de Cannes 2019, What to Watch if You Miss the "Game of Thrones" Cast. [15], In October 2016, Reichardt revealed that for her next film she will be collaborating with author Patrick DeWitt in an adaptation of his novel Undermajordomo Minor, which could possibly be shot outside of the U.S.[16][17] In October 2018, it was announced Reichardt had put Undermajordomo Minor on hold and would instead reunite with Raymond to direct First Cow, an adaptation of his novel The Half-Life. She started by using her father's camera, which he used for photographing crime scenes. Reichardt has confirmed in many interviews that the character of Meek is intentionally written to be similar with Bush. Kelly Reichardt is the director of seven feature films: River of Grass (1994), Old Joy (2006), Wendy and Lucy (2008), Meek’s Cutoff (2010), Night Moves (2013), Certain Women (2016), and First Cow (2019).Her work was the subject of a retrospective that took place at … It was going to happen in Europe if it happened, and I had been scouting for it, and I saw this film when I was thinking about that movie, and that maybe kind of bled into First Cow. Just in the Minuscule Things That Happen in a Day: Kelly Reichardt on First Cow Nell Minow | 2020-03-09 An interview with adapting co-writer and director Kelly Reichardt about her new film, First Cow. [11] Reichardt is the recipient of a John Simon Guggenheim Memorial Foundation Fellowship [12], Reichardt's film Certain Women is based on Maile Meloy's 2009 collection of short stories, Both Ways is the Only Way I Want It, and was shot in March/April 2015 in Montana. I was working on a film with another writer friend that didn’t happen. Wendy and Lucy. The film was released in December 2008 and earned Oscar buzz for lead actress Michelle Williams. Kelly Reichardt was born and raised in Miami-Dade Country, Florida, to a family of police officers. [20] She also recognises her style of minimalist storytelling, saying that "A movie is a series of reveals, essentially, and then you're supposed to sit in a room and tell someone what it all means. The movie will be digitally released Friday, July 10, 2020, giving people a new chance to see one of the most acclaimed films of the year. Chucky Vs. Leprechaun: Who Is the Ultimate Tiny Terror? She developed a passion for photography when she was young. In Night Moves, Dakota Fanning's character serves as a strong female counterpoint to Jesse Eisenberg's male protagonist, and the film's environmental story line reflects eco-feminist values. 1 of 6. Neil Kopp won the Producer's Award at the 2007 Independent Spirit Awards for his work on Old Joy and Paranoid Park. Reichardt won the top award at the 2016 London Film Festival for Certain Women. By attending to atmosphere and attitude as much as plot, Reichardt has quietly become one of the country’s best chroniclers of the American experience". In addition to her feminist themes, Reichardt rejects mainstream methods through the avant-garde content in her films.
That goes against everything that I just worked for, so I have no interest in summing it all up. I’m wondering what is it that draws you to that period and interests you? As ever with Reichardt, the story is simple: It’s the Oregon Territory, and Chinese immigrant King Lu (Orion Lee) and traveling cook Cookie Figowitz (John Magaro) embark on a scheme to steal milk from a wealthy landowner’s cow in order to sell baked goods at market and save up enough money to rise above their station and pursue their dreams. Next, she made two short films, Then a Year, made in 2001, and Travis, which deals with the Iraq War, in 2004. You get to the ambition of the potter in Ugetsu, and the sort of dream sequences of it.
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