Japanese Woodblock prints by Utagawa Kunisada II. After his master's death, he started using the name of Toyokuni IV. Utagawa Kunisada II (Kunimasa III, Toyokuni IV) Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni Kabuki, c. 1827 Utagawa Kunisada II (Kunimasa III, Toyokuni IV) Memorial Portrait of Utagawa Kunisada I (Kochoro Toyokuni shozo), 1864 Utagawa Kunisada II (Kunimasa III, Toyokuni IV) The actor Ichikawa Kuzo II as Tanigoro, c. 1842 Skip to end of content. Apart from that, he changed his names frequently, much to the distress of today's collectors of Japanese prints. Kunisada II was a disciple of the highly influential Utagawa School, and as such, took the name of his teacher, Utagawa Kunisada I (1786–1865). ‘The Dragon’ was created by Utagawa Kunisada II in Ukiyo-e style. However, since there were three artists called Toyokuni before him, Kunisada II is now often known as Toyokuni IV. Kunisada’s work embodies the characteristics of the Utagawa school, focusing on traditional subjects such as kabuki, bijin (beautiful women), shunga (erotic prints), and historical prints. Lot 233: TWO JAPANESE WOODBLOCK DIPTYCH PRINTS, UTAGAWA KUNISADA, LATE EDO PERIOD CIRCA 1860. Kunisada Utagawa II worked in the studio of Kunisada I as a student. He produced many characters of … The Utagawa Kunisada (Toyokuni III) - Project ... And a link to a special site of Utagawa Toyonobu’s Shinsen Taikōki series. In 1846 he married the eldest daughter of his master and took the name of Kunisada. Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (三代 歌川 豊国 Sandai Utagawa Toyokuni), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan.In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. https://en.wikipedia.org/w/index.php?title=Utagawa_Kunisada_II&oldid=1007742554, Articles containing Japanese-language text, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 February 2021, at 18:17. Further, Kunisada I took the name 'Toyokuni' in 1844, and never included the 'Kunisada' signature within the Toshidama cartouche, as Kunisada II often does in the 1850s and 1860s. Utei Enba II was a well-known satirist and frequently hosted many theatrical and literary assemblies. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada", and later headed the Utagawa school. "ōju Tōto Utagawa Kunisada ga" [応需東都歌川国貞画] - by request/demand, ... as the new leader and he assumed the name Toyokuni (II). A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". Kunisada II: Kunisada II Utagawa (1823-1880) was a pupil of Kunisada (Toyokuni III). Kunisada I adopted him in 1846 after he married the master's daughter Osuzu. Japanese artist and printer Kunisada was born in the Honjo district of Edo (now Tokyo) in 1786. His prints include over 40 series, mostly of actors (yakusha-e), as well portraits of beauties, illustrations of scenes from literature, erotica, and other subjects. [1], Kunisada II's popularity waned in the Meiji period (1868–1912), and he appears to have stopped making prints after 1874. His earliest known prints date to 1844. UTAGAWA KUNISADA II (1823-1880) ... Kunisada II, Kunichika and Yoshitoshi. He headed the Utagawa school. Available for sale from Scholten Japanese Art, Utagawa Kunisada II, Eight Views of the Flower Districts: Cherry Blossom Gate at Nakagawa, Odawara (1869), W… This article about an engraver, etcher or printmaker is a stub. Bio Japanese, 1823–1880. Students of his include Kunisada III (1848–1920).[1]. 2,366 prints found. Japanese Woodblock prints by Utagawa Kunisada II. Their work was featured in several exhibitions at key galleries and museums, including the Galerie Welz and the Australian Galleries, Sydney.Utagawa Kunisada II's work has been offered at auction multiple times, with realized prices ranging from $30 USD to $95,067 USD, depending on the size and medium of the artwork. He was born in 1786 in Honjo, an eastern district of Edo. Kunisada, also known as Toyokuni III, was born in the Honjo district of Edo as Kunisada Tsunoda. Kunisada Utagawa II was born in 1823. Following. I told you before, the genre of ukiyo-e is a messy science! Kunisada II usually signed prints either 国貞画 (Kunisada ga, drawn by Kunisada) or 国貞筆 (Kunisada hitsu, from the brush of Kunisada). Utagawa Kunisada II. Kunisada explored traditional themes, such as Kabuki Theater, samurai, and sumo wrestling, to great effect, becoming one of the most successful artists of his lifetime. Please note that Kunisada I was followed by Kunisada II and by Kunisada III. He changed his name once more following his master's death, to Toyokuni III. He often found his motifs in … Sign in|Report Abuse|Print Page|Powered By Google Sites, The Lavenberg Collection of Japanese Prints, Sawamura Tosshō II, Bandō Sanpachi V, Ichikawa Kodanji IV and Ichimura Kakitsu IV [in the play Sandai Banashi Kōza no Shinsaku], 1863, Kawarazaki Gonjūrō, Nakamura Ganpachi, Arashi Kangorō, Seki Sanjūrō III, Sawamura Tanosuke III, Nakamura Ichō and Bandō Hikosaburō V [in the play Imayō Shuten Dōji], 1863, Bandō Hikosaburō V as Ukiyo Tohai, Ichimura Kakitsu IV as Nozarashi Gosuke and Ichikawa Danzō VI as Rokuji Namuemon [starring in a performance of Tsuru no chitose Soga no kadomatsu], 1865, Jōruri Chūshingura Nidan me Sannin Yakko from the play Chushingura Sugata no Eawase, 1865, Shichidanme (Act VII) from the series Jōruri Chūshingura, 1865, series Legends of the Loyal Retainers, 1863, Ōboshi Yuranosuke from the series Legends of the Loyal Retainers, 1866, Amakawaya Gihei from the series Legends of the Loyal Retainers, 1866, Kanpei's Wife Okaru from the series Stories of Virtuous Women, 1866, http://www.khm.uio.no/utstillinger2/flytende_verden/english/samlinger_khm_utagawa_kunisada_II.html, http://vangoghletters.org/vg/letters/let685/letter.html, Amakawaya Gihei from the series Legends of the Loyal Retainers, Bandō Hikosaburō V as Ukiyo Tohai, Ichimura Kakitsu IV as Nozarashi Gosuke and Ichikawa Danzō VI as Rokuji Namuemon, Hayano Kanpei from the series Legends of the Loyal Retainers, Jōruri Chūshingura Nidanme Sannin Yakko from the play Chushingura Sugata no Eawase, Kanpei's Wife Okaru from the series Stories of Virtuous Woman, Kawarazaki Gonjūrō, Nakamura Ganpachi, Arashi Kangorō, Seki Sanjūrō III, Sawamura Tanosuke III, Nakamura Ichō and Bandō Hikosaburō V [in the play Imayō Shuten Dōji], Ōboshi Yuranosuke from the series Legends of the Loyal Retainers, Sawamura Tosshō II, Bandō Sanpachi V, Ichikawa Kodanji IV and Ichimura Kakitsu IV [in the play Sandai Banashi Kōza no Shinsaku], Shichidanme (Act VII) from the series Jōruri Chūshingura. Utagawa Kunisada II was a Japanese Asian Antiquities artist who was born in 1823. Utagawa Kunisada II was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". At age 14, he was admitted to study under Toyokuni, head of the Utagawa school. Viewing prints 1,600 to 1,700. View all works. Biography of Kunisada II. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Utagawa Kunisada II was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Viewing prints 800 to 900. You can help Wikipedia by expanding it. Kunisada II, a pupil of Utagawa Kunisada, placed his signature on the lantern in the foreground. Utagawa Kunisada was a Japanese artist known for his woodblock prints in the ukiyo-e style, similar to his contemporaries Ando Hiroshige, Katsushika Hokusai, and Utagawa Kuniyoshi. He died on 20 July 1880 and was buried at Banshōin Kōunji. Murasaki Shikibu Genji Karuta Utagawa Kunisada (Japanese: 歌川 国貞; also known as Utagawa Toyokuni III (三代歌川豊国); 1786 – 12 January 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. His signature may be distinguished from that of Kunisada I in that the sada kanji is straight in the signature of Kunisada I, but angular in the signature of Kunisada II (see figure). Other copies: Actors Nakamura Shikan IV in an unread role, Sawamura Tossho as Sakingo Yorikane, and Sawamura Tanosuke as keisei [courtesan] Takao, 1866. He illustrated nearly 200 books. [1], Kunisada II worked in the style of his master, but never achieved the same level of success. This 4 volume set is said to be one of Kunisada’s finest. Around the time he changed his 'gô' from Kunisama to names such as Kunisada II, Ichijusai, Baichôrô, then Toyokuni in the early 1870s. Utagawa Kunisada II - A Jôruri Performance of The Storehouse of Loyal Retainers, Act VI - Actors Ichimura Kakitsu IV as Tanegashima Gonroku, Nakamura Tsuruzô I as Metsubô Yahachi, and Ichikawa Danzô I as Tanuki no Kakubei.jpg He produced many characters of … See also categories: Utagawa Kunisada II and Utagawa Kunisada III. [1] One of his most celebrated actor series, “The Tale of the Eight Dog Heroes” (Hakkendun inu no sōshi no uchi), dating from 1852, is drawn from Kyokutei Bakin’s epic novel, “The Satomi Clan and the Eight Dogs” (Nansō Satomi hakkenden), written from 1814-1842 and published in 106 volumes. He did not sign prints “Kunisada II”. Works for sale (6) Auction results. Utagawa Kunisada ukiyo-e artist. Utagawa Kunisada I (Toyokuni III), Visiting Komachi (Kayoi Komachi) (detail), from the series Modern Beauties as the Seven Komachi (Tōsei Bijin Nana Komachi), c. 1821-22, published by Kawaguchiya Uhei (Fukusendō), woodblock print: ink and color on paper, 36.5 x 25.5 cm ( Museum of Fine Arts, Boston) He married his master's daughter in 1846 and took his master's name. His first known print dates to 1807, his first illustrated book to 1808. 1850-60 in Osaka) and Utagawa KUNIHISA (1832-1891). Japanese Woodblock prints by Utagawa Kunisada II. Author: Dieter Wanczura First Publication: 4/26/2009 Latest Update: 11/16/2020. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Showing extraordinary promise at an early age, he was sent to study under the esteemed artist, Toyokuni, one of the great masters of the renowned Utagawa school of woodblock artists. Although not much is known of the details of Kunisada's life, there are some well-established records of particular events. He signed his prints as Baido Kunimasa or Kunimasa III. He signed his prints as Baido Kunimasa or Kunimasa III. He headed the Utagawa school. He took the name Kunisada after marrying his … Many of Kunisada II's woodcuts, such as this original example, were created to illustrate scenes from Japanese folklore, popular novels, and beautiful women. Viewing prints 1 to 100. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Available for sale from Scholten Japanese Art, Utagawa Kunisada II, Actors Bando Hikosaburo and Kawarazaki Gonjuro I (1867), Woodblock triptych, 36 × 74.1 … An original Japanese woodcut by Utagawa Kunisada II, A Scene From Hokusetsu bidan Jidai Kagami is printed on mid nineteenth century mulberry paper and with full margins as published by Wakasaya Yoichi in Edo (Tokyo) in 1864. It depicts a spring scene on the porch with a cat delivering a letter in cherry-blossom season. Utagawa Kunisada II (1823 - 1880) was a Japanese Ukiyo-e artist. (1) It is not surprising that Kyōden would treat such a subject because that was the genre which dominated his works. His Buddhist posthumous name is Sankōin Hōkokujutei Shinji. Followers 32. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada", and later headed the Utagawa school. Overview. A pupil of Utagawa Kunisada I, he signed much of his early work "Baidō Kunimasa III." A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". A small licensed and hereditary ferry-boat service belonged to his family, and the income derived from this business provided a certain basic financial security. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III" with his earliest known prints date to 1844. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". This Japanese artist–related article is a stub. The album contains 34 striking images of kabuki actors by six late 19th century woodblock print designers: Utagawa KUNISADA I (1786-1864), Utagawa KUNISADA II (1823-1880), Toyohara KUNICHIKA (1835-1900), Utagawa KUNIAKI II (1835-1888), Utagawa YOSHICHIKA (fl. Before his marriage to Kunisada's daughter in 1846, his prints were usually signed Baidō Kunimasa; from then on he used the artist's name Kunisada II, until the death of his father-in-law in 1870, when he began to use the name Toyokuni IV. Follow. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". Toyoshige died in 1835 and it took still some nine years before Kunisada was allowed to call himself Toyokuni (III). Around the time he changed his 'gô' from Kunisama to names such as Kunisada II, Ichijusai, Baichôrô, then Toyokuni in the early 1870s. He married his master's daughter in 1846 and took his master's name. He headed the Utagawa school. After his master's death, he started using the name of Toyokuni IV. He took the name Kunisada II c. 1850–51, about the time he inherited the house of Kunisada I. Notable Works. Utagawa Kunisada lived in the XVIII – XIX cent., a remarkable figure of Japanese Edo period (1603–1867). Little is known of Kunisada II's early life. These guys too, used signatures that are similar by nature. Many of Kunisada II's woodcuts, such as this original example, were created to illustrate scenes from Japanese folklore, popular novels, and beautiful women. His given name was Sumida Shōgorō IX (角田庄五朗), and he was also called Sumida Shōzō (角田庄蔵). site search for Kunisada.de: only search Kunisada.de: Started in 2001 by Horst Graebner, member of the Society for Japanese Arts He headed the Utagawa school. [1], Little is known of Kunisada II's early life. Kunisada’s family owned a small hereditary ferryboat service. Auction Date: Apr 21, 2021 Estimate: £100 - £200 Description: TWO JAPANESE WOODBLOCK DIPTYCH PRINTS, UTAGAWA KUNISADA, LATE EDO PERIOD CIRCA 1860 A diptych from Kabuki titled ‘Yowa Nasake Ukina no Yokogushi’ or more popular ‘Kirare Yozo’ of Geisha Otomi being … An original Japanese woodcut by Utagawa Kunisada II, A Scene From Hokusetsu bidan Jidai Kagami is printed on mid nineteenth century mulberry paper and with full margins as published by Wakasaya Yoichi in Edo (Tokyo) in 1864. Moreover, most prints signed 'Kunisada' and by Kunisada II are datable by censor or date seals to post-1850. (2) Mokuami … Find more prominent pieces of mythological painting at Wikiart.org – best visual art database. Kunisada II: Kunisada II Utagawa (1823-1880) was a pupil of Kunisada (Toyokuni III). 2,366 prints found. Murasaki Shikibu Genji Karuta Utagawa Kunisada II (akaBaido Kunimasa III, Toyokuni IV) does not have an image. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III" with his earliest known prints date to 1844. Utagawa Kunisada II Kashiwagi, from The False Murasaki's Rustic Gengi (A Spring Scene on The Porch) This original Utagawa Kunisada II woodcut, Kashiwagi hails from The False Murasaki's Rustic Gengi (Nise murasaki inaka genji). Though his father, an amateur poet, died when Kunisada was a child, the family business provided some financial security. Kabuki actors’ backstage mirror dressers typify Edo sashimono. He later adopted the name of Toyokuni, the school’s founder, and thus became Toyokuni IV. KUNISADA II (Toyokuni IV) was a pupil of KUNISADA I, and married his master's daughter in 1852. Find more works of this artist at Wikiart.org – best visual art database. Kunisada trained under Utagawa Tokuyuni (1769-1825), producing prints in “traditional” genres such as kabuki, shunga, and historical prints. Early Japanese woodblock print by Utagawa Kunisada I, later known as Toyokuni III, depicting the actor Sawamura Gennosuke II (who used the name Gennosuke through 1831) as Neshi Seijūrō (根師清十郎) portraying a samurai oppressing a peasant in a scene from kabuki theater in the play "Kawazu gake Soga no honsetsu" performed at the Kawarazki theatre in 1/1831. His father, who was an amateur poet of some renown, died in the year a… You can help Wikipedia by expanding it. The album includes 27 multiple-sheet sets and 7 single-sheet prints, mostly … Signatures and Seals of Kunisada Utagawa 1786-1865 Utagawa Kunisada II (歌川国定)(1823-1880) was a Japanese ukiyo-e printmaker, one of three to take the name "Utagawa Kunisada." 2,366 prints found. KUNISADA II (Toyokuni IV) was a pupil of KUNISADA I, and married his master's daughter in 1852. Though his father, an eastern district of Edo as Kunisada Tsunoda as Kunisada Tsunoda is! 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