Among those at the forefront of this were Chicago, Led Zeppelin, Santana, Def Leppard, and Motörhead. Mayall decided to use that shot. All these innovations are breathing new life into the album artwork scene, while advances are also being made in motion graphics and kinetic typography. Over the decade the company established a strong share of the chart singles market and particularly strong sales of compilation albums and cassettes. The label had some remarkably talented designers working for them, including Paul Bacon, whose many great covers included Thelonious Monk’s Genius Of Modern Music and Dizzy Gillespie’s Horn Of Plenty. Among those whose paintings have adorned covers are Cat Stevens, a former student at the Hammersmith School Of Art in London, who drew the cover for Tea For The Tillerman’; Captain Beefheart (many of his later album covers); Dylan (Self Portrait); John Lennon; and John Squire of The Stone Roses. Over the years, the collaboration between Manfred Eicher, the label’s founder and producer, and designers – including Barbara Wojirsch, Dieter Rehm, and Sascha Kleis – has produced some startling covers. DeVries moved with the times, too. He went on to have an amazingly varied career, including, in 2010, designing the England football team’s shirt. Sometimes the albums were just stunning photographs with lettering, such as William V “Red” Robertson’s picture of Presley for the RCA album of 1956. Sometimes the discs were contained in a leather book, similar to a photographic album. Listen free to The Damned – Music For Pleasure (Problem Child, Don't Cry Wolf and more). The format was ripe for artistic experimentation and ultimately led to covers such as The Rolling Stones’ Sticky Fingers – something unimaginable in more conservative times. Twisty nightmares, bakery mythologies, monsters, wordplay, camels, the album boasts 17 slices of uber-catchy, noisy reverie, including cover versions of rock'n'roll classics "The Bird's The Word", "I Try to Find" and "Little Things". Most were issued in the UK, though some have also been released in Europe and elsewhere. Try it free. His prodigious output is awe-inspiring: it has been estimated that there are around 400 albums for Granz bearing Martin’s signature, including the Parker series and those for Billie Holiday. In addition, heavy metal bands place a huge emphasis on imagery and mascots help to define a band. Ergo Phizmiz / "MUSIC FOR PLEASURE" A 17 track behemoth of Ergo Phizmiz's singular take on guitar based rock'n'roll & pop music. He was working on illustrations up to his death in 1992 – aged 76 – including covers for CDs by Clark Terry and Teddy Wilson. At minute 6:50, after 1 minute of silence, begins a brief, David Potts — drums, guitar, keyboards, vocals, bass, This page was last edited on 19 January 2021, at 07:02. ", often mistaken for a New Order song. In the 70s and 80s, bands began to realize how to make themselves highly marketable. Just the album cover art alone is enough to make even die hard fans run the other direction. Jun 26, 2016 - Amanda Lear strikes a pose during the Roxy Music "For Your Pleasure" album cover photo shoot, 1973 by Karl Stoecker. your own Pins on Pinterest When Norman Granz started his Jazz imprint at Mercury Records, it was to Martin that he turned for many of the designs that graced Clef, Norgran, and, later, Verve’s records. With their ability to mix sex, surrealism, and suburban alienation, Hipgnosis became key artistic inspirations in that era. Miller was responsible for the “skull and roses” logo that became the Grateful Dead’s enduring hallmark. He developed a serious and sensual image of jazz. Billions of music fans over the past century have taken pleasure from looking again and again at old album covers. The first signs of change came in the 30s, from pioneering designers such as Alex Steinweiss, whose illustrated covers – for singers such as Paul Robeson, or the classical records of Beethoven – led to huge increases in sales. DeVries produced designs for some of New York’s legendary jazz clubs along 52nd Street, most notably The Famous Door. Lush, witty artwork was a feature of his work for Elvis Costello And The Attractions. 11 in the UK. A landmark artwork that first attracted mass attention in America was the Capitol Records design for Nat King Cole’s The King Cole Trio album – a lively abstract image featuring a double bass, a guitar, and a piano keyboard under a gold crown. Oliver has offered an intriguing explanation of the appeal of designing album covers, saying: “I like working in the medium of music sleeves. Miles, who would later create covers for Bob Dylan and Neil Diamond, went on to make celebrated television commercials. Covers, sleeves, back covers, cases, labels, liner notes, track listings, etc. The rise of merchandising – and the special logos groups adopted – helped turn bands into brands. documenting MFP's fab covers albums! The album cover sleeve of For Your Pleasure by Roxy Music, record released in 1973. Barney was at the forefront throughout, even if we didn’t always know it – a true Pop Artist.” Esteemed designer Peter Saville calls him “the missing link between pop and culture.”, The Rolling Stones broke ground with their covers in the 60s. The album sold more than 500,000 copies worldwide, with its first single, "What Do You Want from Me? On the cover of The Rolling Stones’ 1971 album, Sticky Fingers, there is simply a photograph of a man’s crotch – albeit covered by jeans. I’ll give you a full face.’” Asked about his magnificent work, Flora said simply: “All I wanted to make was a piece of excitement.”. Release information Barcode: 731453762923 Format: CD Length: 56:22 Additional details Type: Album Packaging: Jewel Case Status: Official Language: English Script: The cover is strongly reminiscent of Pink Floyd's 'The Piper at the Gates of Dawn' album from three years earlier. They should have let the dust settle a bit longer. This CD isn't even worthy of existing as the covers are absolutely a catastrophic injustice to Roxys music. Among the best are those for Eberhard Weber and Keith Jarrett. It wasn’t just jazz that was undergoing an album revolution in the 50s. A 50th-anniversary deluxe box set reissue brings that original artwork back to life. Music for Pleasure is the debut studio album by rock band Monaco, a side project of New Order bassist Peter Hook. A whole new world of music new-media awaits. Four years later, he approached Tony Wilson at a Patti Smith gig, and together they launched Factory Records. was one of two hit singles in the UK. His cover for Steve Howe’s first solo album, Beginnings (1975), for example, was partly based on the landscape seating he designed for Ronnie Scott’s Jazz Club in 1968. ", often mistaken for a New Order song. Topical concerns also sometimes featured, as in the mushroom cloud photograph on the cover of The Atomic Mr. Basie. Joni Mitchell, who studied at Calgary’s Alberta College Of Art and Design, has referred to herself as “a painter derailed by circumstance.”. The band recorded one more album before dissolving in 2000. Original pressings featured the banana as a sticker, complete with instructions to “peel slowly and see.” If you did this, a suggestive flesh-colored banana was revealed. However, it was the advent of the long-playing 33⅓rpm record that changed everything. 11 in the UK. The heavy paper used for 78s damaged the delicate grooves on LPs, and record companies started using a folded-over board format sleeve. Bubbles’ work on Music for Pleasure, however, is wonderfully unapologetic and, in this channel's humble opinion, should be regarded as one of the very best examples of bold, brave, challenging sleeve design. It also featured guitarist Lu Edmond's who later joined Public Image LTD. SATURATION DRAFTS is a compilation album of demos and cut b-sides from the SATURATION trilogy included as part of the SATURATION box set, released December 15, 2017. no official cover for the album was released, but several fan-made covers exist; the ones uploaded here are the most popular. In the same way that Dean became synonymous with Yes, Hugh Syme’s name – and art – is closely associated with prog legends Rush. Album cover art has attracted some seriously talented people, and though the number of artists whose work has featured on covers is too long to list, it includes luminaries such as Stanley Donwood (Radiohead), Warhol and Banksy – and Jeff Koon’s steamy cover for Lady Gaga – in an artistic heritage that stretches back to Salvador Dalí’s design of the cover for Lonesome Echo for his friend Jackie Gleason. “In no other circumstances would that happen. (Again, first pressings were interactive: the jeans’ zipper could be drawn to reveal underwear. Flesh + Blood (1980) Roxy Music went for gold with Flesh + Blood, which hit the top spot in the UK … The elegant aerobics of Island Life – a photograph that was made into a collage in a pre-digital era – helped transform Jones into an international superstar. “If you were trying to present an emotion, or a feeling, or an idea, or a theme, or an obsession, or a perversion, or a preoccupation, when would it have four guys in it?”, Hipgnosis used photography to powerful effect and seemed to have a constant stream of ideas. Before moving into the album world, he designed a famous flyer for a 1942 Fats Waller concert and was also a noted song composer. DeVries had a real affinity for the music he was representing visually. Over a decade he created some of Blue Note’s most brilliant designs, including output from Kenny Burrell and numerous gems for the Blue Note 1500 Series. your own Pins on Pinterest The windows of record shops were like a street-level art gallery, constantly delivering new surprises. Boring, disasterous, cover version of Roxys classic songs. In the 1990s, some CD compilations of select songs were released to expose this part of Elton's career. In the 60s it became fashionable for bands to commission covers from artists and art school friends. For over three decades, Oliver’s vivid and erratic typography, and witty – and sometimes bleak – imagery has appeared on their album covers, while his work with 4AD was partly responsible for defining the look of British post-punk music. Part of what made his work so exciting was that the bands gave him a completely free hand to design. Music for Pleasure is the second studio album by English punk rock band the Damned. Quickly becoming to Yes what Hipgnosis were to Pink Floyd, Dean provided artwork for the band for nearly five decades, including for their 2014 live set Like It Is. They now run hand in hand, really. Check out our music for pleasure selection for the very best in unique or custom, handmade pieces from our shops. Available with an Apple Music subscription. Though beautiful album covers are desirable for their own sake, memorable ones do help commercially. The Beatles famously worked with Peter Blake and Richard Hamilton; The Rolling Stones with Warhol and Robert Frank. Of more than 50 or so albums I’ve recorded, I designed at least a third of the covers.” One of his most famous was Blues Breakers With Eric Clapton, which became known “The Beano Album” because Clapton, who later admitted he was in an “uncooperative mood” during the photo-shoot, started reading a comic. Woolworth built a substantial music business, switching the emphasis from own label budget records into the mainstream. In London, rock music intermingled with the worlds of fashion and fine art. Moreover, the music sales industry had a global impact, because it provided designers with a way to express their creativity and originality to the whole world. Follow the blog - click here Welcome to this online archive of all that is HITS and HOT HITS - Music For Pleasure's classic album series of the 1960s and 1970s. Miles said that in the 50s typography was “in a renaissance period.” Sometimes companies chose an iconic symbol or look that would define their output – as Impulse! 4AD founder Ivo Watts-Russell gave Oliver the artistic freedom to create the graphic identity of the label, and he responded with a remarkable body of work. Sign In Listen Now Browse ... Stretcher Case (Music For Pleasure… Download the latest song of Music For Pleasure (Vinyl): One Way Love Site Map | Help | Add to favorites To get full access to the site e.g. In between, he won an Oscar for designing the famous creature in the movie Alien. Consumers still want detailed information about the songs and the band members on the album they have bought – a function filled by the PDF “digital booklet” – and new opportunities may arise in an interactive era of smartphone and tablet applications. 537 242-2; CD). Discover (and save!) Along with Joe Bushkin – a member of the Tommy Dorsey band – DeVries co-wrote the hit “Oh! So did artist, publisher, and designer Roger Dean. Oliver created classic album covers for Cocteau Twins, Ultra Vivid Scene, His Name Is Alive, Throwing Muses, The Breeders, Lush, This Mortal Coil, Scott Walker, and Bush. As the music business changes – with customers no longer going into record shops and lingering over the visuals before they buy an album – the cover is just one element of a larger branding and marketing campaign, often involving a promotional photo-shoot, videos, and merchandise. Bacon went on to create the iconic first-edition design for Joseph Heller’s novel Catch-22. The cover for The Velvet Underground And Nico featured a bright yellow banana print from Warhol, contrasted against a clean white background. In the 70s, the era of “celebrity photographers” began to hold sway in certain rock and pop circles. They tell you what they look like, but nothing about what’s in their hearts, or in their music,” he said. His cover for The Damned’s 1977 album Music For Pleasure features a pastiche of Kandinsky paintings that spells out the band’s name. Jan 17, 2015 - This Pin was discovered by Peter Lusch. His photograph for John Coltrane’s Blue Train, showing the saxophonist looking anxious and lost in thought, is like a journey into a genius’ psyche. Mrs Mills poses behind a rather smart white grand piano for the 'More Music For Anytime' album from July 1971. And there are some great stories behind them. The West Coast scene was having its own creative flowering, and Grateful Dead albums began to reflect the artworks they were housed in. Many of the best-known Impulse! There have been art gallery shows of ECM covers in Europe, and there are two books devoted to the label’s visual presentations of music. He was a genuine original and adroit at blending imaginative typography with art. At … Capitol Records have a proud history of album art, utilizing talented individuals such as painter Thomas B Allen and costume designer Donfeld (Donald Lee Feld), whose first job, after graduating from college, was as a designer and art director at the company. Topics: SATURATION DRAFTS, BROCKHAMPTON [3], The cover is designed by Peter Saville and the cover photograph was taken by Sam Taylor-Wood. covers were by designed by art director Robert Flynn and photographed by a small group that included Pete Turner (who shot many great covers for Verve and was a pioneer of colour photography), Ted Russell, and Joe Alper (a man who went on to take some iconic Bob Dylan images). “I was left to my own devices and it turned out that I had my own agenda,” he said. Some of their designs have become symbols of music in the 20th Century, such as the giant inflatable pig over London’s Battersea Power Station which graced the cover for Pink Floyd’s Animals (1977); or the disturbing image of blonde-haired, nude children climbing the Giant’s Causeway for Led Zeppelin’s Houses Of The Holy (1973). Art and imagery were powerful tools for the Grateful Dead, and Mickey Hart even had custom-painted drum kits. And I liked the idea that they dressed like people on the street.”. Sometimes it was just bold use of typography – as in Reid Miles’s design for Jackie McLean’s It’s Time – that produced a simple yet eye-catching triumph. There was no turning back. Martin, whose work has been on show at the Smithsonian and the Museum Of Modern Art, did so many great album portraits for the Jazz At The Philharmonic albums in his distinctive solid black-ink lines (including likenesses of Charlie Parker, Ella Fitzgerald, and Count Basie). That said its still worth the money, if only for 'Stretcher Case' and 'You Know' but as far as the original album goes 2 out of 11 is just not good enough? Saville recognized as one of the world’s foremost graphic designers, said he was intrigued by album sleeves from the moment he bought the British version of Kraftwerk’s 1974 album Autobahn. did with their trademark black, orange, and white livery and striking logo. Flora came up with monthly masterpieces, including the album covers for Bix + Tram and Kid Ory And His Creole Jazz Band. deposit funds, download files you have to create an account. Bubbles also worked with Ian Dury (who had studied graphic design and been an art school teacher himself), creating the Bauhaus-influenced logo for Dury’s group The Blockheads. “I was hired because I was the jazzman,” he said. Colin Fulcher (better known by his legally adopted name Barney Bubbles) cut his teeth on the satirical magazine OZ, and, later, his designs for Hawkwind, Brinsley Schwarz, and Nick Lowe were hugely influential. The album sold more than 500,000 copies worldwide, with its first single, "What Do You Want from Me? When the new 12” format came along it was Reid Miles, a 28-year-old designer who had worked for Esquire magazine, who came to prominence. All album covers and ads are property of their respective copyright holders … He used pigmentation to make Benny Goodman, Charlie Ventura, and Gene Krupa look like bedspread patterns. ©2014-2021 Vinyl Album Covers.com. Buy Music for Pleasure at Walmart.com Music For Pleasure Ltd. Drury House, Russell Street, London WC2 Successor address: … High Quality Album Artwork / CD Artwork - Music for Pleasure by Monaco - Album Cover Art The 60s was also an era when album covers were becoming more defiant and raunchier. The Roxy Music album covers are legendary. Sometimes a musician is directly involved in the look of the album. Robert Mapplethorpe’s image of Patti Smith for her debut studio album, Horses – shot in natural light with a Polaroid camera at his New York apartment – remains a high-water mark in simple yet stunning music imagery. 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